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    Pommele (see examples) A wood term used in conjunction with wood names; the term means figure, which is the pattern produced in a wood surface by annual growth rings, rays, knots, deviations from natural grain such as interlocked and wavy grain, and irregular coloration.

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Archive for the 'Basketry' Category

JoAnne Russo’s “Collar” Basket Transcends the Ordinary

Wednesday, September 17th, 2008
Collar by JoAnne Russo

Collar
JoAnne Russo
Photo by Jeff Baird

Baskets speak a universal language. For the historian, they are a signature of time and place. I grew up coveting the Native American baskets of the Blue Ridge mountains. Basket weaving is the oldest known Native American craft – there are some ancient baskets from the Southwest that have been identified as 8,000 years old.

For the collector, baskets are a contemporary art form of wonderful variety and beauty. I am continuously astounded at artists who provide fresh inspiration with this canvas called a basket.

Recently, JoAnne Russo’s “Collar” basket arrived on the Artful Home website. JoAnne is the master of surface embellishment, adding elements that are not essential for the construction of the basket but that change the appearance of the basket. In this piece, she has decorated the surface with traditional hook and eyes, transforming an ordinary object into a work of art.

I was reminded, once again, that the magic of the talented artist is to be able to reach beyond the physical nature of her basic materials, to create a work that transcends its own ordinariness and becomes something far more profound.

John Daido Loori’s The Zen of Creativity (And A Picnic Basket) Help Explain Sabi

Wednesday, August 27th, 2008

I’ve been reading a wise and wonderful book, The Zen of Creativity, by John Daido Loori. This author’s descriptions of the spirit and meaning of the Zen arts ring true with me as I explore how these concepts mesh with my own daily life.

For example, Loori explains the word ’sabi’ as the suchness of ordinary objects, the basic, unmistakable uniqueness of a thing in and of itself.

Earlier this week, as I packed a picnic basket for a final end-of-summer picnic outing, I took a few moments to examine the basket itself. Made of sturdy white oak strips by a North Carolina basketmaker, this beautiful piece of functional art has contributed to many happy events over the years. (After all, what is more special than a summer picnic with friends and family?)

And yet, as I stopped and really looked at my picnic basket, I moved a little closer to understanding the concept of sabi. There is definitely a suchness about this object, and I am indebted to Loori and his book for helping me see it.

What is Art? JoAnne Russo’s Baskets Embody the Definition

Wednesday, May 23rd, 2007
Harlequin in a Tutu by JoAnne Russo
Harlequin in a Tutu
JoAnne Russo
Photo: Jeff Baird

It’s time to challenge the preconceptions of what art can and should be.

Recently, JoAnne Russo’s new basket (pictured at left) arrived in The Guild’s offices for a photo shoot. This diminutive piece of work, made with pine needles and fish vertebrae, had a power that held me transfixed for many moments. I slowly realized that the magic of the talented artist was to be able to reach beyond the physical nature of her basic materials, to create an object that transcends its own ordinariness and becomes something far more profound.

The traditional art establishment is rather disdainful of anything that could be considered “craft.” Why is that? Is it because glass or ceramic objects are considered less intellectual, more emotional? It is true that Marcel Duchamps’ famous toilet piece appeals primarily to the intellect. Russo’s basket, on the other hand, appeals to the spirit.

The objects of Russo and many other craft artists are powerful, evocative, beautiful, and therefore embody the highest aesthetic achievements of fine art.

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