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    Oxide (see examples) (ceramics) A compound containing oxygen and other elements. Sometimes refers to metallic chemicals used for coloring clays or glazes.

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Archive for the 'Paintings' Category

Featured Artist: Brian Kershisnik

Thursday, September 3rd, 2009

By the age of 18, Brian Kershisnik had lived in four different countries. His father, a petroleum geologist, relocated the family from Oklahoma to Angola; from Angola to Thailand; from Thailand to Texas; and from Texas to Pakistan.

“I’ve always felt somewhat out of place, but I think that being a stranger may be more of a universal experience than belonging,” says Kershisnik, who ultimately settled in the small Mormon town of Kanosh, Utah. “I believe that humanity is largely motivated by a sense of belonging to something we haven’t quite seen yet but can almost remember. Being awkward is a part of life.”

And, he realizes, a part of art. The people in his paintings—drawn in bold, charcoal outlines, but often left with unfinished features— are often out of place themselves. In Father and Son Dancing, a man holds his infant son on his shoulder. It could have been painted as a pure expression of joy, but this father is clumsy, heavy-footed. In Flight Practice with Instructions, a man tries to fly, but is tethered to the ground like a kite on a string. He is not flying as much as practicing flight, a crucial theme for the artist.

“Several summers ago, I saw a man in his front yard practicing his cast with a new fly rod. My comment to my wife was quite accidental. ‘Look. That man is practicing flying.’ She is quite used to my making such mistakes and rather than correcting me suggested it was a good idea for a painting. As I began sketching, I realized how vital the issue of ‘practice’ has been in my work, though I had never before named it. How splendidly human it is to practice. Everything we do can be seen as practice, as long as we believe that the failure of our current task will sooner or later—and probably gradually—give way to something lovely, even beautiful.”

The importance of being textured

Tuesday, July 14th, 2009

Several years ago I was at a friend’s house and was struck by a large, colorful print they had on display. I voiced my admiration, and they explained that it was an original, not a print. They had met the artist and bought this original directly from his studio. Much as I loved the piece, it started me thinking – how do I create paintings that are obviously “the real thing” and not a reproduction?

This is one reason I started using my unique texturing process. Sure, it has its drawbacks – for one, my pieces are quite difficult to photograph. Another is that after lugging these substantial pieces to several art shows I start wishing I created on paper instead!

But they have one enormous advantage – there is never any doubt that they are original paintings.

I love to create in texture, I feel like it’s a wonderful marriage of sculpture and painting. I feel like it’s harder to get tired of a textured painting – after all, their depth allows them to change with every shifting of light.

Great Works in Studio Sale

Thursday, July 9th, 2009

One of the great things about our ongoing Studio Sale is that it has given artists a place to sell some of the work they normally wouldn’t offer for sale. Pieces that don’t flow with their current style. Pieces that are prototypes or trials in new styles.

A great example of this is Todd Starks. Todd’s prints and original paintings have appeared on the website and in the catalog for several years. He shows beautiful representations of trees in strong colors that while not complex looking at an initial glance, invoke a lot of thought and emotion.

I was really excited to see him submit work for Studio Sale. The pieces he submitted are very different from the other work he sells through us. There are pure black and white pieces that have the same lines and style so true to Todd’s work but without the color. There are pieces like “Resurrection” and “Olympic Skater” that have a strong, playful side.

I love seeing these other sides to artists. These pieces that probably haven’t been seen a lot. The pieces Todd is selling in Studio Sale are all one of a kind paintings. Wouldn’t it be great to be the owner of the unique pieces that shows the other side of an artists? A piece that most people haven’t seen. A piece the artists probably has never offered for sale before.

Doxidor, Lab, & a Vegetable Garden Transforms Art & Me

Monday, June 8th, 2009
Artful Home is pleased to announce a new feature on The Artful Life blog. We have invited artists to share their thoughts. We are kicking things off with painter Dorothy Fagan who talks about the inspiration behind her work.

Sneekers 2, another dog with a gift

I never would have been one to let anyone lead me down the garden path, let alone a dog! This week I not only allowed it, I also enjoyed the unusual twists and turns which it created in my paintings and life.

I wasn’t at all sure I wanted another dog in my life. “Do you really want to spend the NEXT ten or fifteen years cleaning sand and dog hair out of the house?” I kept asking myself. “You’re getting older,” I said to my Self. “Think of how old you’ll be in 15 more years.

Today is my birthday and when Dad called to wish me Happy Birthday, I couldn’t even tell him how old I am now! “Think about this before you get another dog,” I warned my Self.

katesleeping

Katie is not getting any younger either. I have been thinking of painting her since we adopted her 14 years ago. This week, I finally did it! I have always been intrigued by her white on white coloring, and imagined painting her on an antique ivory patterned bedspread which she used to sleep on years ago.

As I finished up painting Kate, Jim returned from the grocery store to say he had stopped at the SPCA and wanted me to go see two pooches he had seen. Reluctantly, I went. When we arrived, one of the dogs he had told me about was out front getting clipped and brushed. Fur and dog mess was everywhere! We went inside quickly. “No way,” I thought to my Self.

In the kennel we met the other dog Jim wanted me to see. A shy little dog, ‘Honey,’ was in a kennel with another dog. She looked like a puppy, small with a cute rounded face. Reading her card, we discovered she was actually two years old ~ full grown! This little pooch was only 24 pounds, a doxidor: a dueschund/labrador mix. She charmed us both. Reluctantly, I agreed as Jim made arrangements to take her home to see if Kate would also approve.

Over the next few days we worked at getting to know each other. On the way home, she squirmed out of my arms and down between the back seats in the van into an afghan which was on the floor. When we got home, she wanted to stay there. At the house I found another afghan and put it down for her. Immediately she made another nest. She is a nester.

Nesting is something I have never been good at. It seems I am always running around doing something. Sit down and be still? Hard for me to imagine me doing that. Got to be DOING something.

The day after she arrived, I took out the vacuum to tidy up. I saw her out of the corner of my eye as I took the vacuum out of the closet. The deck door was open and spying the vacuum, she quickly slipped outside. I went about vacuuming. Jim came in a while later and asked where she was. No where! She had disappeared! We spent the next hour searching the yard, surrounding woods and adjoining neighbors’ yards.

Back at the house, ‘Sneekers’, as we had started calling her for her white paws ~ was curled up in a new nest behind Jim’s computer desk. There isn’t much space back there between the desk and wall of windows. Just a narrow pasageway to get in and a pile of wires!

Obelisk Garden

As each day passed I spent more and more time with her, coaxing her out of her nest, encouraging her to play. Slowing me down, I guess. I didn’t feel much like going out to paint, so I set my easel out on the deck and painted a view of my vegetable garden.

The obelisk Jim and I had contructed just last weekend was already filled with cucumber and tomato vines. I sat while I painted, too lazy to stand, I thought to myself. I set up a larger canvas than I normally use en plein air. This one is 20″ x 24″, not huge but significantly larger than the 9 x 12s I often use.

As I was painting, a neighbor paddled into my painting with his two children. They stopped to catch a bass or two, then paddled away. I quickly brushed them into the picture without thinking whether I really wanted them there or not! The sun moved lower in the sky and finally I felt the need to quit. Most of the garden was now in shadows.

Light and shadows ~ this is what I have been balancing out in my life all week. In the painting of Allie, (Allie’s Gift ) everything was darkish, varying shades of dark. In this painting of Kate the inverse is true. I didn’t see it until this morning when I wrote down my dream. Dream: I see a low key pattern of darks; darker darks and lighter darks. I am inverting the image. Now it is a pattern of lights ~ high key lights, lighter lights and darker lights. Inversely proportional.

This dream let me see what has been going on all week! Between the paintings and the new dog ~ I have been balancing my life, inverting my perspective on things! In this paintng of the garden, I played. I played with the imagery … letting the canoe of children fishing enter into my world without thinking as to whether it would upset my world or not! I let the game I was playing in my vegetable garden onto my canvas of life.

Sneekers 1

This little dog turned my life right side up! And just when it looked like she might NOT be successful, she amped up the stakes. Toward the end of the week I went to vacuum again. This time she was lying on the floor in my bedroom. So I told her I was going to close the door while I ran the vacuum. When I came back 15 minutes later she was under the bed shaking like a leaf. I let her stay there awhile. Checking on her throughout the morning, I finally coaxed her out. I put her on the afghan in the den and sat there on the floor with her and held her while she trembled.

“I don’t know what happened to you,” I said out loud to her. “I’m sorry. I’m so sorry it happened, whatever it was.” I continued. As I spoke I stroked her head. And as I did I felt my Self let go of whatever it was that had kept me doing, doing, doing until I thought I would drop. We let it go together.

Today, on my birthday, I painted these two quick paintings of Sneekers. She was sitting on my sofa ~ a thing I never permitted a dog to do! I had to paint quickly because she changed positions often. The sofa is brick red so I used alizarin crimson to draw her shape quickly, directly onto the canvas. By the time I had the shapes in, she had moved. I responded by gently blocking in the colors the best I could remember.

Then I went and got another canvas. This time she stayed snoozing a little longer. Afraid she might move again, I continued at the fast pace. I liked the gestural quality of the first one, playful. “So what if my couch isn’t really pink?” This way I can have a pink couch without having to live with it! Sleeping there on my spot on the sofa she continued teaching me how to play. The blue thing she is sleeping on is a needlepoint pillow I made 35 years ago. I not only let her sleep on it ~ I enjoyed painting it! I am a hard case, I admit. Transforming a workaholic? FAITH … plays a woman! I guess an old dog CAN learn new tricks. :-P

See all of Dorothy’s work at Artful Home.

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